Project management is just what it sounds like; managing a project from beginning to end. Every title published is a project. If you write and sell multiple titles per year, you will have multiple projects to manage, and their milestones will overlap.

Right in your contract, you have your project and milestone dates defined for you. When the book is due, how long you have to complete and return your edits, how long you have to complete and return your proofs, your publication date, and when your next proposal is due. Each of these stages: complete manuscript handed in, completed edits handed in, proofed and corrected galleys returned, and next proposal written and handed in, and title’s publication are milestones. And they are usually tied in some way to the next advance payment, hence providing incentive to get the work done.

Things get tricky if you write for multiple publishers or do multiple releases with the same publisher, because that’s when milestones and projects begin to overlap. So having some way of keeping it all straight will help minimize the confusion. I use a calendar on my computer that synchronizes with my Palm and this worked really well until Leap Year made it lose its electronic mind. I also use desktop electronic post-it notes that help me keep track of what’s going on each month.

Just remember that no matter what you do, there will be long periods of time with nothing due followed by times when three milestones are due in the same month (or the same week), but keeping track will still help you cope. And take advantage of those open periods to get ahead whenever possible.

Start by noting due dates or how much time is allowed for each milestone. This will save you paging through your contract trying to look it up later. And utilize your broken-down goals to work towards each milestone with daily action. You already know how to write a book. You use the same approach to break down working through revisions, proofing, or working on the next proposal into daily actions you can take to stay on track. Example: you have 10 days to revise and return your 400 pg novel. 400 divided by 10 = 40 but add a margin of safety and aim for 50 pgs a day to be done on time.

Know that things will go wrong. You’ll get sick, your kid will get sick, the water heater will break and the house will flood, and it will all happen at the worst possible time. Just get back on track as quickly as you can when these things happen.

From a creative perspective, when you shift from project to project, you have to learn to be flexible and shift gears. This isn’t always easy. There’s an inevitable loss of momentum when you change direction. Just accept that and try to find ways to work with your creative needs to make the transition as smoothly as possible.

My favorite trick is creating a playlist for each project and listening to it before beginning my work session or in between sessions. This keeps the project working in my subconscious. When I have to drop the book I’m writing to work on revisions of the previous book, switching the playlist helps me make the change in mindset. Novelist Susan Wiggs uses collages to help her quickly get into the project at hand. Experiment with different things and do what works for you.