TV for DVD; is it just me?

June 27th, 2008

Paperbackwriter commented at Shannon’s yesterday on writers blogging about TV, and it made me wonder: am I the only one who doesn’t watch TV?

I don’t. We have a TV. The kids use it to watch episodes of Backyardigans, Veggie Tales, Little Einsteins and Leapfrog DVDs (I highly recommend Leapfrog’s Letter Factory, Word Factory and Storybook Factory for helping little readers learn to read). We use it to do our 12 Second Sequence workouts twice a week, which are on DVD.

In other words, the TV is a DVD player. We don’t watch channels. I don’t think we even get reception. We haven’t watched TV as TV for years. We don’t miss it.

We do buy episodes of shows we’re interested in; Monk, Firefly, Bleach. But mostly, the TV is for kid entertainment and education. If I have free time, I’d rather read a book than watch TV. I always have. In fact, in a high school creative writing class I was totally lost when assigned to write a script for one of 2 or 3 popular TV shows…none of which I’d ever seen. (I could have written a Star Trek script, but that wasn’t on the list.)

So, I’m a writer and I don’t watch TV. I really can’t be the only one, can I?

About to hit halfway

June 26th, 2008

I’m coming up to the halfway point on revisions. There are a couple of things I’m going back to; I have learned that if I need to think about something, I just flag it with a note and move on. Otherwise, it’s too easy to bog down. Better to keep moving forward and do all the easy stuff. I’ll end up coming back to my flagged scenes, and then doing a final check to make sure I got everything.

Revision uses different mental muscles. There are all those threads to keep track of for continuity. I’m not really changing anything, just deepening, so continuity won’t be much of an issue, but I still have to watch what I’m doing. It’s easy to start making mistakes with this kind of work, so I take lots of breaks and I stop when my brain is tired. And Word’s track changes feature can be a life-saver. You can go back and reject a change if it’s screwed up and do it over.

Onward!

Revision Woman Wields Red Pen

June 25th, 2008

Since I can’t actually turn into an editing superheroine with a red pen sword, here’s Rukia from Bleach ready to kick butt. She’ll provide inspiration while I turn around revisions on Animal Attraction. Which my editor did not threaten to have me drug-tested over! Yay! In fact she said things like “sexiest book I’ve ever read” and the word brilliant was used without sarcasm. The truth is, I always turn in a book thinking I’ve gone too far and in this case I thought I’d gone way over the edge. It is a risky book. But I thought it worked and I am so relieved my editor agrees. Now to take editorial notes and make it all pretty. Rukia will help.

Rukia

Bleach has an amazing cast of characters, btw. Excellent writing. I don’t know how he does it, there’s an absolutely huge character cast and they’re all fascinating. You can read the manga or buy the first two seasons of the anime on DVD and see for yourself.

Fearless Fourteen and misc.

June 24th, 2008

I am reading Fearless Fourteen. (Thanks, Mom!) I always look forward to more Stephanie Plum because you know whacky misadventures will happen, Granny will get into trouble, and hot guys will be featured amidst it all. These books are always pure fun. I’m up to chapter 9, and enjoying the trip.

In writing news, I’m dealing with alterations and continuity as I write in changes. Meep. Not the fun part. Must be done, though. I shall pick up my red pen and sally forth. Then I will reward myself with work on The Fun Project. And more Fearless Fourteen.

The not fun-tasks need rewards. They also need breaking down into bite sized bits. Like, work through one page, take a break. Set the timer for five minutes, work until time’s up, take a break. If I just tell myself I need to do the whole task all at once, my brain has a seizure. So to prevent fragile mechanisms from seizing up, I lie to myself. “You don’t have to do the whole thing. Just do this page.” It works.

birthday stress relief

June 22nd, 2008

It was a tri-birthday event. Dad, myself, and my now-three-year-old. (Apparently labor and birthday cake go well together across the generations)

From fabulous SIL, this stress relief kit which includes inflatable bat. Every writer needs one. (Yes, I am wearing my All Your Base tee shirt. I am a grownup.)
Stress relief

Here’s the three year old, already a book junkie, who opened her Angelina Ballerina book and immediately ran off to read it.
little reader

Cheers to the year ahead!

Dusty old prose - Overtones

June 21st, 2008

Michelle Rowen has challenged the blogosphere to share their dusty bits and bytes. Here’s a clip from one of my early short stories, Overtones. Share yours!

“Anything wrong, Peter?”
As he asks the question, Jones is probably thinking that his very expensive Unix guru looks a little twitchy. He’d be right. But to tell him so would hardly be reassuring. “Just wondering if I ran down the glitch in the system.”
The network’s been running funny. Nothing overt; just odd, unexplained time lags for functions that shouldn’t need a delay with the amount of memory available. Ghosts in the machine. I wonder idly if computers hear overtones.
What are those, you ask?
It’s something that happens inside. You perceive it as real, but what you’re hearing isn’t really there. It happens when two or more contrasting notes are sustained on pitch. You “hear” thirds or fifths that weren’t played. Harmonics. Like that.
I think of these things I pick up as overtones; not really there. But real enough to hear. It’s all in your perception.
My perceptions have become hypersensitive since the accident, so these days I mostly work alone. I couldn’t work surrounded by the constant feedback, harmonics and white noise produced by human minds in close proximity. The more, the hairier. So it suits me to work alone whenever I can contrive it, which in turn suits Jones, because he knows I won’t bitch about hours.
Such is the life of the ace programmer. Still, it’s something from my former life I can still do.
Right now, Jones is worried about me, so I shoot him my very brightest “everything’s wonderful” innocent smile. “Don’t worry, I’ll get your glitch.”
He gives me a narrow-eyed look, then nods. “I know you will, but there’s no hurry.”
A gentle, unspoken suggestion to take it easy.
“Except for the two thousand update,” I murmur. Like many of my counterparts, I’m busy converting the system to read the dates right when the turn of the century rolls around. Early on, setting up programs to run dates from 1900 to 1999 seemed to cover the bases. The closer it gets to 2000, though, the more white-lipped panic sets in as everybody scrambles to bring programs up to date. Can’t have somebody’s billing system resetting and losing interest owed or losing track of payments due.
Jones silently concedes defeat. This isn’t the kind of thing anyone can drag their feet on. “Right. But try to sleep sometime.”
“Sure.”
He knows and I know that I won’t, though; I’ll be in the computer lab most of the night.
Much later I stopped, realizing I’d completely lost track of time. I rotated cramped shoulders and rubbed at tired eyes, bleary from hours of staring at a monitor screen. Ghost images danced along the edges of my vision. They reminded me of my reason for being there. That damn, elusive glitch. Ghosts in the machine…
Peter.
A whisper of sound. No, not a real sound; overtones. No real sounds here but the ticking of the clock, the soft whir of the central air running, an all but inaudible hum from the computer that you only really noticed when you shut it off and realized how quiet it was all of a sudden.
Peter.
I closed my eyes again. It was late. I’d been working too hard. The strain of trying to block out the psychic bombardment of thoughts, more than one wavelength at a time, conflicting, it was taking a toll. Even being around Jones was difficult. I needed to be alone. It took too much strength to block out the others. Their thoughts were too loud, and no two ever held the same frequencies. Batteries of sound, beating at me….
Peter.
Overtones. Another invasion of conflicting wavelengths, pushing at me. Suddenly, I was furious.
“Shut up! Shut up! Get out of my head!” I was screaming, hands over my ears. Shaking with adrenaline, accompanying the words with a violent mental push. “Get out!”
A mechanical wail of sound like a modem trying and failing to connect. Then nothing.
The computer lab was quiet, empty. Still. I sat back, taking deep gulps of air, trying to slow my thundering heart. There was nothing here, nobody here. Just me. Just the machines.
And the ghosts in the machine, Peter.
The thought startled me. Then I started to laugh, high-pitched manic laughter that rang harshly in the stillness and hurt my ears.
“You need to get some sleep,” I said out loud. Talking to myself. A bad sign. “You’re not getting paid to chase ghosts. Time to go home.”
I closed up my working files, ran a final check, shut down. Not the mainframe, of course, just my terminal. Out of habit, I patted the hard plastic shell. “Goodnight, Boris.”
Goodnight, Peter.
I left, wheeling my chair down to the elevator, extra wide to accommodate guys like me, wondering how long it had been since I’d taken a vacation. Obviously, too long. Maybe once the two thousand update was done, I could take some time off.
Sure, I thought, dark sarcasm welling up. And go someplace where you can hear thousands of voices, bright, brassy, pushy vacationing voices crowding your skull. Sounds restful, oh, yeah.
Full of these and other similarly cheerful thoughts, I went home and slept the deep, unmoving sleep of the exhausted.
* * *
Whirr. Tick, tick, tick. Hum. The central air circulating through the labyrinth of ducts, the patient counting of the clock, the almost inaudible sound of my monitor powered up. These sounds seemed unnaturally loud in the after-hours stillness of the computer lab. I shifted in my chair and the seat creaked so loudly that it startled me. Nervy, on edge. It was almost a relief when I heard it.
Peter.
Hello, ghost. I wonder if I should tell Jones the lab is haunted. “Jones,” I could say, “I have good news and bad news. The good news is, I found the glitch. The bad news is, it’s a ghost in the machine.”
He might up my fee to include danger money. Or he might suggest a lengthy vacation in some quiet, restful private hospital. More probably the hospital. No good; I’ve had enough of hospitals to last the rest of my life. Long, painful months of surgery and physical therapy and I’m-sorry-but-there’s-no-miracle-here, unwanted sympathy, and worst of all, those friendly couselors who just want to help me adjust….
Peter.
It isn’t going to go away. It wants something from me. I can feel it.
“What do you want?”
Talking to yourself again, Peter. Hearing voices. A bad sign, Peter.
“Shut up.” Hitting at my deepest vulnerability, peeling away my defenses and exposing my secret fear, that I might be losing my mind, now that my mind is all I have left. It’s gotten to me, and it knows it.
Now, Peter. Is that any way to talk to a friend?
“You aren’t my friend.”
You wound me.
“Shut up.” I close my eyes briefly, furious that I’d allowed myself to be goaded and worse, that I’d given it away by repeating myself.
I would have known, anyway, Peter.
Another taunt from a particularly nasty ghost. But I can’t believe it’s omnipotent.
Why not?
“Why not indeed.” I let out a long, slow breath. “Because there are limits. A ghost, I can buy. Omnipotence, no. I won’t go that far.”
You have no idea how far you’re going to go.

PANned!

June 21st, 2008

I am officially a PAN member. The benefits of getting my paperwork in! Now I can access the PAN only section of the RWA website, join PAN online discussions, and most importantly be allowed in to the librarian/bookseller events and PAN workshops I signed up for at the nat’l conference in San Fransisco.

Next, the key to the executive elevator, the executive bathroom, and world domination! Okay, in all seriousness, I am planning to investigate the benefits of PAN because I never have.

Back to my novella.