Jane’s Addiction, a snippet and a story

I get asked about Jane’s Addiction, the sequel to Love and Rockets, regularly. The book got stuck between option clauses and changes in Ellora’s Cave’s print program, and so it sat on my hard drive. These things happen in publishing. But reading PBW’s blog about buildings and their exteriors this morning reminded me of this scene from the book, which I love. Here is Jane, being Jane, determined to exert her will over real estate. She and Eldon are no longer dating at this point in the story; he was a project for her and she’s a bit too much for him, but they stayed friends. She’s already met the man she can’t manage but he doesn’t appear in this scene.

Due to changes in publishing and freedom from option clauses, maybe Jane can actually see the light of day sometime. Things I consider doing with Jane: publishing a chapter a month on my site for free, putting it out on Kindle and making it a phone app, putting a print version on Lulu, send it to Samhain except that splits two books between publishers which presents difficulties. But there are options that didn’t exist a couple of years ago when I was told Jane was Doomed, which is nice.

Excerpt from Jane’s Addiction
copyright 2010 Charlene Teglia all rights reserved

“Are those gargoyles on the roof?”
Eldon’s voice was not enthusiastic. Horrified was a better description. The kind of fascinated horror that kept people staring at car crashes had Eldon riveted, staring at the house as if he couldn’t believe what he was seeing and didn’t particularly want to go any closer to find out if it was real.
Jane sighed, ran a hand through her short cap of curly brunette hair and then linked her arm with his. “Be supportive, Eldon. You’re here as an accountant, not a location scout for a horror movie. Never mind how it looks, I need you to help me evaluate the financial possibilities.”
“So you do realize it looks like The Bates Motel crossed with Dracula’s castle.” Eldon pushed his wire-rimmed glasses up his nose and gave her a worried look through the lenses. “You’re going to live here? Alone?”
“Yep.” Jane grinned at him. “It has atmosphere, doesn’t it?”
“Atmosphere.” Eldon directed another horrified look at the house. “You could call it that. How many of the previous owners committed suicide?”
“None. I know it’s a little gloomy but with some paint and landscaping you won’t recognize the place. Come on. I want you to see the inside.” Radiating cheery confidence, Jane tugged him off the curb and up the walk. “Of course it needs work, inside and out. I have estimates for you to look over. But the space is terrific. So’s the location.”
“It’s getting close to night. Are you sure we shouldn’t wait and do this in the morning?”
“The power’s on. We’ll have lights.” Jane kept going forward, relentlessly dragging him along with her. “It’s not haunted. At least, I don’t think it is.”
Eldon came to a full stop. “What do you mean, you don’t think it is?”
Jane stopped with him and ran her hand through her hair again. “Well, there’s a family rumor about the place, but it’s just one of those things that gets dramatized and blown out of proportion over the years. Old houses creak and make weird noises. Nobody’s ever actually proved that it’s haunted. Of course, I intend to use the family story as a draw, but that’s just marketing. People pay big bucks to stay in haunted houses.” She gave him a winning smile and patted his arm reassuringly. “I really don’t think you’ll see a ghost.”
“Marketing,” Eldon echoed. He did not sound reassured.
“Right. It’ll be listed as a haunted B&B. Regular bed and breakfast listings are too generic, I needed something special to make it stand out and make people want to stay here instead of an established hotel.”
Jane gazed up at the gothic monstrosity and envisioned it filled with vacationers. Retirees, families, and singles out to see all the attractions Maine had to offer. And she’d be in the middle of all the noise and bustle, telling spooky stories, serving up a continental breakfast buffet, banking the receipts.
She needed a new project. It was time. It had been a month since the wedding, and she was bored, restless, and itching for something to throw herself into. And this was a big project, something she could really get into, something that would challenge her for years to come. She’d been looking for something to focus her energy on, and when Great-Aunt Agatha unexpectedly left the sprawling old house to her, Jane had seen it as A Sign.
Eldon sighed. “You really want this.”
“Yes, I do.”
“Okay, then. Take me inside.” He moved reluctantly forward, dodging overgrown shrubbery that threatened to swallow the walkway and places where the cracked concrete needed repair and had heaved up over itself like a miniature study in plate tectonics from seasonal freezes and thaws. “You know, if you didn’t fix the landscaping you’d have a built-in burglar deterrent. No self-respecting criminal would risk his life getting closer to that house, and nothing in that house could be worth stealing.”
“Very funny.”
“Except you, of course,” Eldon offered in the spirit of gallantry.
“You’re sweet.” Jane patted his arm.
“Tell me more about how it’s not haunted.”
Jane fished out the key as she led him up to the front door. “well, mainly it’s because of the fireplace. The story goes that some of the stones came from Mystery Hill.”
“Mystery Hill?” Eldon’s eyes bulged behind his lenses. “As in, America’s Stonehenge? Didn’t some historian prove that was a site where they used to perform ritual human sacrifice?”
“I don’t think that was ever proven, actually,” Jane said. She privately thought it more likely that the ceremonial aspects of the site ran to fertility rituals. She pushed the door open now that she had it unlocked and led the way inside. “Despite various theories about the colorful history of the place, practical New Englanders saw it as a source of building material. Until it became protected, many local structures incorporated a rock or two.”
“So how did it end up here?” Eldon asked, not being geographically challenged.
“The fireplace and chimney were salvaged and moved here from a house that burned down,” Jane said. “Waste not, want not. Reduce, reuse, recycle.” She stepped back and waved Eldon inside. He came with visible reluctance, and she suspected he was only doing it because he was too chivalrous to leave her in there alone.

How to enjoy your snowpocalypse

We’re supposed to get about a foot of snow, and based on what’s already coming down this morning, I believe it. The neighbor across the road couldn’t get out of the driveway, and the snowplow hasn’t been down our street yet. But getting snowed in doesn’t have to be a bad thing.

We got essential groceries yesterday. The generator’s ready to kick online if need be. Internet means telecommuting is pretty easy in bad weather. If it goes down, a lot of work can still be done offline. Really, when you’re hit with a snowpocalypse the thing to do is relax and enjoy it. It helps if you used to live where coastal storms tore off roofs and washed out bridges and roads with abandon on a regular basis, because a little snow is a minor inconvenience in comparison. Once it’s over the plows will go clear things out and it’ll be business as usual.

It’s snowing. Can’t see the lake across the street. But I have coffee and a book to work on and it’s all good.

Passion and change

Bob Mayer asked some thought-provoking questions over at Genreality during the past week. I’ve been thinking about them. I still don’t have solid answers to all of them.

What is your passion?
Why do you write?
What are you looking for internally?
What are you looking for externally?

All I know for sure is that the answers have changed. And maybe in some ways they have stayed the same, in that “Plus ça change, plus c’est la même chose” manner. I think what I want from writing has changed. What I want to do with writing has changed. What I’m willing to trade for writing has changed. How about you? Would you answer those questions differently today than you would have when you first started to carve out a writing career?

Red Queen snippet

Haven’t done a snippet for a bit, so here’s one. Unedited, subject to change in final version.

Red Queen, copyright 2010 Charlene Teglia
Samhain Publishing all rights reserved

We ran for the sheer joy of being alive and strong. We played chase and tussled. We sang in full-throated harmony to the world of human civilization. Wolves are here!

Our song bounced back to us and faded, giving way to a chorus of crickets and the distant hoot of an owl.
Then a new song rose. Piercing and clear, the call of a bird of prey followed by a sort of rumbling roar that made the hairs on my spine stand up in alarm.

Challenge? Announcement? While I tried to puzzle out the sound and what creature could have made it, the answer marched into view, five-fold.

They looked like something out of a nightmare parade as they padded forward on four great feet, perfectly in step with each other. They made a living vee, two to each side, one central. A scarlet banner hung between the two on the far ends. The next pair carried a golden banner, although I couldn’t make out how in the moonlight and shadows.

Ornate brass breastplates gleamed and under the brass, I could see the distinctive ripple of muscle under golden fur. As they came closer I could make out decorative buckles on the breastplates that secured the banners.

The great beasts were far larger than the panthers, larger than our canine forms, and they moved with something beyond majesty, as if they were engines of destiny. The total effect of the quintet was of something from another time as well as another world.

The wind carried the scent of lion and eagle to my nostrils and then I understood the oddly shaped, beaked heads above those bodies and the weird cry that heralded their approach.

Griffins. The griffin court had sent an envoy.

28 Days of Heart

It’s February, and that means All Romance Ebooks’ 28 Days of Heart is underway! You can buy a new book every day this month to benefit the American Heart Association. I’m really looking forward to the new Hell novella by Jackie Kessler. And my retelling of the myth of Persephone and Hades, Bride of Fire, will be out later this month, although you can pre-order any of the charity novellas if there’s one you don’t want to miss.